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![]() ![]() There are so many elements involved and so many different things to consider. However, for many aspiring filmmakers, starting a production company can come across as a mammoth task, and it’s difficult to know where to begin. If you’ve decided to start your own film production company, it’s safe to say there’s never been a better time to do so. There’s no denying video content is the way forward and has been an integral part of modern-day digital society for several years. Starting a production company is an exciting opportunity that can be extremely lucrative if you do it the right way. With an increasing number of people watching video content on their phones, TVs, and computers, it’s becoming more difficult for companies to ignore this trend. Video production companies usually work directly with businesses to produce films that showcase what their brand offers & highlight strengths.īig businesses are starting to realize the power of on-demand content. There are many different types of videos they can create, such as commercials, promotional videos, and even wedding films. You go into each phase of preproduction, and ultimately production itself, as prepared as possible.A video production company is a company that specializes in creating videos and related media for its clients. That way you don't do anything before you're ready to. Which will tell you exactly what you need equipment wise.Įach step in the 15 step pre production checklist feeds into the next. The shot list will inform the walk through at the tech scout. Let's go back to the idea of order of operations once more. At the tech scout your DP and/or his/her Gaffer and Key Grip will make their final lists.Īnd… they'll need to see the locations in order to know what they'll need to achieve the shots. It can be an evolving process, and you certainly might need to place some items on hold.īut for the most part, you don't want to jump the gun until you know precisely what you're going to need for your crew. Sometimes you'll start the gear or equipment list a lot earlier than this. not without lights and a camera we're not. Are we ready for "Lights! Camera! Action?" That you are a true professional.Īnd that’ll serve you in the long term no matter what. If you’re not shooting legally than arguably your project can’t happen.Īt the very least, you're going to send a message to everyone else on the project. If nine times out of ten you can get away with it, that’s fine for nine people. If something bad happens on your set and you don't have insurance, your problems will go far beyond not getting all your shots done that day. This is one of those things where you'd be shocked at how many productions do without.īetter to spend it on a sweet lens pack instead, right? Try explaining that to your Executive Producer. I've been on sets where neighbors complained and if we hadn't been properly permitted, we'd have been shut down. But do your research wherever you are shooting and find out who you need to permit with.Īnd trust me…You should permit your locations. ![]() If you’re shooting in Los Angeles, you’ll be filing with Film L.A. You never know until you start working with the permitting office. You may have a location on your list that requires a fire marshall. Sometimes the city won't issue a permit without a lot more legwork from you. Sometimes a location will fall through because of permitting issues. I like to start permitting with plenty of time. Before you go any further, you've got to button things up.Ĭonsult with legal if necessary. ![]() Organize files and documentsĪct three of our pre production checklist begins here.īy now you've got a lot of the key components in place. But the pro tip for this stage of preproduction to is get the people you need early on board early. You'll tailor the "who" of this stage to your project. If your project is going to have heavy make-up requirements then thats someone you'd want in during this phase. This is why keeping a comprehensive list of all prior crew you've hired is wise. This is a good time to scour your crew contact list for anyone you've worked with in the past that you'd want to bring on. The director will help you find the cinematographer. If you don't already have a director, get one after your line producer. ![]() You might also want your 1st AD, but they can come in a bit later. The first people you need to get are the Line Producers, a UPM, or a Production Coordinator. You can't go much farther without at least some key collaborators. Let's say you're a producer with a script. ![]()
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